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Setouchi Triennale 2016 on Shamijima, part one


As you already know if you follow me on Facebook or Twitter (and if you don’t, you should 😉 ), I spent the last three days island hopping (two days on Shodoshima, half a day on Inujima, another half on Teshima, posts will come soon). Now, time to rest and update this blog a little bit, starting with last Monday on Shamijima.

In retrospect, it was probably not the best of ideas to go to Shamijima on day two of the Setouchi Triennale 2016.

As you may know, for some reason, Shamijima only hosts the Triennale during the Spring session, and as Monday was a holiday (on top of being the second day of the event), the island was incredibly crowded. I’m talking Naoshima levels of crowded. Three years ago, it is said that Shamijima is the island that received the most visitors. One would expect it to be Naoshima, but I guess the fact that the Triennale only in the Spring on Shamijima coupled with the fact that it’s the only “island” accessible by car tends to attract a lot of people, especially more locals (whereas the other islands mostly attract people from far away? Not sure).

As a consequence, and as almost all of the indoors art is gathered in the same place (the former school), the line to get in was incredibly long (probably around two hours), and as my daughter was in no mood to behave and wait that long, we only saw the outdoors art and decided to see the rest later (we had already planned to return to the island for the Snuff Puppets’ show anyway).

The art of Shamijima that I like was there (either because it never left, or because it was back), but I wasn’t really impressed by the new art.

Let’s see:


Great Bridge of Seto from Shamijima

Not part of the Triennale, and not officially an artwork,
but the Great Bridge of Seto never cease to impress.


Stratums - 3

Stratums by Tanya Preminger


Very popular with kids, especially my daughter, even though she had to learn to share it after having it all for herself when we went last winter.


Stratums - 1

Personally, I’m a big fan. I don’t know why, but there is something about this small hill that makes me feel good, and climbing it is always a fun experience. 🙂

I just wish I saw it green one of these days (I saw it all green from the train on the bridge, but every time I go to Shamijima, the grass is all dry).


Passage of Red Windows

Passage of Red Windows by Tetsuro Fujiyama

Mmmm… Not too sure what to think of it. I guess that’s the problem; I don’t think anything of it.


Rippled Sky for Hitomaro by Jitish Kallat

I liked the idea, some sort of tree which has branches that sprinkle water… More or less… However, the end result is a bit of a let down. Maybe it would have been better if I was much bigger… or if we could get much closer… Not sure… Or maybe I missed something?

Now, something very simple and basic, but with an almost magical result and effect. Sora Ami: Knitting the Sky by Yasuaki Igarashi. The Triennale’s guidebook says that it’s new, I’m pretty sure it’s the same as three years ago, but honestly, I don’t care, I just love it as much as three years ago, if not more (I didn’t see it – only on pictures – but at high tide, the net is now above water). And pictures can’t really convey the feeling and the view.


Sora Ami - 1


Sora Ami - 2


Sora Ami - 3


Sora Ami - 4


Sora Ami - 5


Finally, I went to see Stories of 12 Islands: Animation of Sea Wanderings by Masahiro Hasunuma, an exhibit that will change location from season to season. It was the only indoor artwork that was crowded for some reason.

The exhibit is made of 12 flip-books (I’m told they’re called kinora in Japanese) that tell 12 small more or less abstract stories related to the 12 islands of the Setouchi Triennale.

I only filmed one, I’ll let you guess which island it is:



And that’s all for today. Stay tuned for more updates. Coming next: Shodoshima.




9 thoughts on “Setouchi Triennale 2016 on Shamijima, part one”

  1. Flying Meon! That looks like fun. I can imagine why that place was so busy. Everyone would want to keep watching them over and over and over again!

    As for the Sora Ami, the only reason I can think it would say “new” is that they remade it all for this year. The rope looks really new.

    Passage of Red Windows looks like you just need to play with it. A little Ace Ventura fun would be perfect:

    1. Actually, the place with the flip books was the only one that wasn’t busy. Partly because it was a bit far from the rest, partly because the installation will be around year long.

      The site says they remade Sora Ami this year, but it looks exactly the same, so I don’t know. It’s indeed in excellent shape, but if it was stored for the past three years, it should be too. Not like it really matters.

      Yes, I should give Passage of Red Windows a second chance. We’ll see when I return to the island in a couple of weeks.

      1. I was reading on the website the Sora Ami is going to be at another island for summer and another for autumn. Hopeful I can spend more than a few minutes at it next time. Might need to make a quick stop at Shamijima again too, but depends on time. My priority, if I can go, is to go to Oshima, Ogijima, and Megijima. If time allows, I want to go to Teshima again. Inujima would be great but probably have no time. The limited edition islands will be a must.

        1. I think Sora Ami will be in storage for the summer, but yes, it will be on Honjima this fall.

          Yes, when you come this Fall (because you’ll come, right? 🙂 ), I think you can skip Inujima. You could try to go there not during the Triennale, whenever you’re in Kansai or Chugoku and make a detour there.

          In the Fall, you also have the western Kagawa islands to visit. 😉

          1. Ah! That’s the time and island. Of course I want to go to the western islands too.

            By the soinds of things, Inujima will wait. 🙂

    1. Awesome!
      By the way, in the spring, I had heard that it was going to be at another location this summer, but I have no idea if that is the case and where it is.
      In the Fall, I assume it will be on one of the western islands.

      1. I found the artwork in Uno. It is in the community hall, I think, that is with all the photos from the area. There are signs to “190” all around the area.

        For autumn, it should be on Honjima. All info is on the official site, but as you know, unless you know where to look, sometimes it is hard to find it.

        1. Thanks for the info.
          I kinda knew about Honjima in the Fall session, just wasn’t sure / had forgotten. But when I looked there wasn’t any info about its location in the summer. 🙂

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