Setouchi Triennale – General Information, Advice and Tips


The Setouchi Triennale 2019 is over,
but Art Setouchi never ends

The next Setouchi Triennale is in 2022, in the meantime, please refer yourself to the following page:

Art Setouchi 2020


The rest of the page concerns the Setouchi Triennale only! While some information is always valid, some ceased to be at the end of 2019 and won’t be again before 2022. If you want to know what’s happening in the Setouchi islands in the meantime, please click the card above.


The Setouchi Triennale is an amazing cultural event that takes place every three years (as the name says) in the eastern part of the Seto Inland Sea of Japan. It’s a must-attend for every art lover or nature lover. On top of being one of the biggest art festivals in Japan, it aims at promoting the area that suffers badly from depopulation, in order to revitalize it through several means, art tourism being one of them.

If you want to know more about it, you’re in the right place.


What is the Setouchi Triennale?

The Setouchi Triennale (瀬戸内国際芸術祭 – Setouchi Kokusai Geijutsu-sai in Japanese, which can be translated as Setouchi International Art Festival – it actually was the name of the first edition) is a contemporary art festival that takes place every three years (“Triennale” in Italian or French means “triennial” in English).

It was started in 2010, there have been four editions, and the next one in 2022 will be the fifth.

“Art” must be taken here in its broader appellation. It includes contemporary art, but also prominently features creative fields such as architecture, performing arts, local crafts, local cuisine, traditional culture and more.

The Setouchi Triennale is the main event of a larger and permanent endeavor called Art Setouchi. Also, it must not be confused with Benesse Art Site Naoshima, while the latter is a part of the Setouchi Triennale and of Art Setouchi, it is only a part of the whole thing, not even the most important one, just the most famous one. You can read a further explanation about the differences between the different terms in this post.

Love in Shodoshima by Wan Wen Chih (2019)

Why is there even a Setouchi Triennale in the first place?

The Setouchi Triennale is not just an art festival. The purpose of such an event taking place on those somewhat remote islands is to revitalize the whole area. One that is rich in culture and history but that is currently threatened by depopulation even more than some other parts of Japan. The goal is to revive the islands and the area through art and culture.



While the event aims at being international, and tremendous progress has been made in this domain since the inception of the Triennale, if you don’t understand Japanese, it sometimes remains a little difficult to find useful information about it beyond the very basics.

This page will try to answer some of the questions you may have, hopefully helping you to prepare your trip to the Setouchi Triennale.

Setouchi Triennale Advice and Tips

Those pieces of advice and tips were for the 2019 edition of the Triennale. A lot of things will remain the same in 2022, but some will change too.

  • If you’re planning on visiting in 2022, you can use the information that follows, just stay aware that not everything may remain accurate.
  • If you’re planning on visiting in 2020 or 2021, please refer yourself to this page instead.

So, here are a few general tips, advice and ideas about the festival.

First of all, if you have a question or concern and you don’t find the answer here, nor on the site’s FAQ, feel free to ask me, and I’ll update the page with an answer to your question as long as I know it.
Those updates will be announced on the various social networks that I use (see the links on the sidebar). Talking about social networks, I manage a Facebook group dedicated to Art Setouchi and the Setouchi Triennale. There’s also a list of the artworks on Foursquare/Swarm. If you’re a user of any of those services, I warmly advise you to follow them. Let me underline that they’re both maintained by me and are by no means official.


Where is the Setouchi Triennale?

It is located in the eastern part of the Seto Inland Sea of Japan, more precisely at the following locations in the Kagawa Prefecture (or Okayama for two locations):

  • Takamatsu
  • Naoshima
  • Teshima
  • Ogijima
  • Megijima
  • Shodoshima
  • Oshima
  • Inujima (Okayama)
  • Uno Port (Okayama)
  • Shamijima (Spring only)
  • Honjima (Fall only)
  • Takamijima (Fall only)
  • Awashima (Fall only)
  • Ibukijima (Fall only)


When is the Setouchi Triennale taking place?

The dates for the Setouchi Triennale 2022 haven’t been decided yet. If they’re similar to the previous editions, the Triennale should be divided into three seasonal sessions:

  • Spring (April or May)
  • Summer (mid-July to late-August)
  • Fall (October)


How to go to the Setouchi Triennale?

Obviously, it depends on where you’re leaving from.

If you’re already in Japan, the easiest way is most likely by train. You can go to Okayama City by shinkansen and from there take another train to Takamatsu or Uno Port in Tamano City, as they are the two main access points to the islands. Note that from Takamatsu you can directly access any island except Inujima, you may need to take a train to access the islands on the western side of Kagawa. From Uno Port, you can only access Naoshima, Teshima or Shodoshima. For access to Inujima, you can take the ferry on Teshima, Shodoshima (the latter only during the Triennale), or from the port of Hoden in Okayama Prefecture.

If you’re coming from abroad, know that Takamatsu has an international airport with flights to and from Hong Kong, Taipei, Seoul, and Shanghai. In other terms, while it may not matter much if you’re flying from the American continent, if you’re coming from somewhere else it may be more convenient to connect from one of those three places, you would avoid having to make a detour to Haneda or Narita. It’s much faster and cheaper than flying to Tokyo and then back to Takamatsu (or than taking the train from Tokyo).

Of course, Takamatsu airport also has flights to various Japanese airports (Narita, Haneda, Okinawa).

Liminal Air – core – in Takamatsu Port


Where to stay during your time in the Setouchi area?

You may be imagining yourself staying in a small minshuku on one of the islands and hopping onto the other islands for day trips and then returning to your minshuku at night. While it would be the perfect way to discover the area, it’s sadly one that is not too realistic. One of the effects of depopulation is that the islands have little to no ferry routes between each other. Some are being added during the festival, but overall, it’s just not a practical way to experience the Triennale.

A better and easier option is to stay in Takamatsu during your time in the area. Takamatsu is pretty much the “center” of the Triennale as it’s the only place that has direct access to almost all art islands (with the exception of Inujima). It’s also the place that has the most lodging options, restaurants and more.

That being said, if you are a champion at planning trips, and are fluent in Japanese, an interesting option is to sleep on a different island every night; spending the day on one island, sleeping there, moving on to the next island in the morning, sleeping there and so on. It’ll be hard work planning it beforehand, as you’ll have to find and make as many reservations as islands you want to visit, but it will be worth it. It would also allow you to discover the islands by night (don’t expect a crazy nightlife) and experience amazing sunsets and/or sunrises.


Team Ogi’s Takotsuboru on Ogijima


Should I get a “Triennale Passport”?

It all depends on how long you’re going to stay and, more importantly, how many artworks you’re planning on visiting.

To give you an idea, the Triennale Passport that is valid for the three sessions of the Triennale (Spring, Summer, and Fall) costs 4,800 yen for adults (3,800 if you buy it before the beginning of the Triennale – it’s also cheaper for high school students and free for under 15). There also will be passports that are valid for only one season and they’ll cost 4,000 yen.

Now, if you don’t get a Triennale Passport, there is a fee to access a lot of the artworks. Outdoors and public art is obviously free. Access to individual artworks (installed in formerly abandoned houses for example) usually costs 300 yen, sometimes 500 yen for places housing several artworks. Access to museums usually costs between 1,000 and 2,000 yen (a passport will allow you to enter some at a reduced fee, except for the Chichu Art Museum on Naoshima and the Teshima Art Museum).

So no need to start counting artworks one by one to get an idea of the overall cost; unless you’re only spending one day on a smaller island and/or visiting only a couple of things, buying a Passport will always be a good idea (visiting a big island alone may end up costing more than the Passport).

If you want to buy a Triennale Art Passport in advance (it will save you 1,000 yen), you can get them (soon) on the official website, in convenience stores as well as ticket agencies.


Teshima Art Museum


Should I get a Three-Day Ferry Pass?

There is a Ferry Pass that is valid for three consecutive days and that costs 2,500 yen (2,200 if you buy them before the beginning of the Triennale) and allowing access to a certain number of ferries linked to the Triennale.

The ferries should be the following ones (with the usual one-way trip fares for these rides – prices may not be up-to-date, make sure you double-check on site):

  • Takamatsu – Uno Port: 690 yen.
  • Takamatsu – Naoshima (Miyanoura): 520 yen.
  • Uno Port – Naoshima (Miyanoura): 280 yen.
  • Uno Port – Teshima (Ieura) – Teshima (Karato) – Shodoshima (Tonosho): 770, 290 and 480 yen.
  • Takamatsu – Megijima – Ogijima: 510 yen to Ogijima, about half to Megijima.
  • Takamatsu – Shodoshima (Tonosho): 690 yen.
  • Takamatsu – Shodoshima (Ikeda): 690 yen.
  • Takamatsu – Shodoshima (Kusakabe): 690 yen.

As you can see, it may or may not be useful depending on your plans. I’ll let you do the math.

If you need more detail about the Three-Day Ferry Pass, please read the following post:

Setouchi Triennale 2019’s Three-Day Ferry Pass


Ozuchishima, seen from Naoshima


Bringing a car or a bicycle to the islands?

Maybe you live in Japan, maybe you’ve rented a car to visit the country. Now, you’re wondering whether bringing your car or your bike to the islands is a good idea or not.

I’m tempted to answer “no” right away, but it’s a bit more complex depending on your destination.

First of all, be aware that under the name “ferry” you will take many different types of boats, some being able to carry vehicles, some not at all. From Takamatsu, you can load your vehicle on ferries to Naoshima, Megijima, Ogijima, and Shodoshima only. From Uno, you can bring your vehicle to Naoshima, Teshima and Shodoshima. I don’t know the fares for the trips with a vehicle though, but they tend to be quite pricey.

However, in my opinion, it’s a terrible idea to bring your car to Naoshima, Megijima or Ogijima. On Ogijima, it’ll simply be useless. On Megijima it will only be useful to go to the Oni cave, but you can also go there by a small bus trip or even by foot if you don’t mind walking uphill. On Naoshima, if a car can be useful to go to and from various locations, but I think parking lots are few and rare, especially in the villages.

Concerning bicycles, they’re also pretty much useless on Ogijima (except to go to the lighthouse), not that useful on Megijima (don’t get me wrong, they can be very useful on Megijima, actually I want to ride my bike around the island one of these days; here I’m talking in terms of attending the Setouchi Triennale), on Naoshima though, a bicycle may be the best way to go and visit the island (it’s a bit too big to be walked, and busses have a tendency to be overcrowded during the festival).

What about Teshima and Shodoshima?

Shodoshima is a large island, much larger than the other ones (just check on a map) and if you have the opportunity to bring a car to Shodoshima, please do so, especially if you’re not staying more than a day there. As far as bicycles are concerned, unless you’re an excellent cyclist, I wouldn’t advise it, as large parts of the islands have steep slopes.

Concerning Teshima, a car may be useful, but I wouldn’t advise it as, if possible, Teshima is an island that is best experienced when being visited as slowly as possible. You’d miss interesting spots here and there if you go around by car. For bicycles, while the island’s size is perfect, it also has some steep slopes here and there. However, know that you can rent electrical bicycles, and they really are the best vehicle to visit Teshima. But if you don’t get to the island with the first couple of boats, don’t really expect to find any available, they get rented very very quickly during the festival.

And the other islands?

Inujima is to be visited on foot.

Oshima too.

Shamijima can be visited on foot, however, as the island is “attached” to Shikoku, you can drive there.

On Honjima, a car can be useful, although I’d advise a bicycle if possible. There’s also a bus service.

On Takamijima, Awashima, and Ibukijima, walking really is the best way to visit the islands (a bicycle too for Awashima only).


Bonsai Deepening Roots on Megijima


How much time does it take to visit each island?

You will read here and there that one day is necessary for big islands and only half a day or less for smaller islands. I completely disagree with those statements. If you only visit the art sites – quickly, don’t care at all about enjoying the islands themselves (which would be silly), and are very lucky with waiting lines, maybe, just maybe, those time frames are realistic.

Instead, I advise you those time frames if you plan on seeing all the art sites on each island as well as experience the island itself at least a little:

  • Naoshima: one and a half-day to two days.
  • Teshima: it is possible to visit it in one day, but a little more would be better, maybe one and a half-day.
  • Inujima: a few hours are enough. Note that the scarcity of boats to and from the islands may make it difficult to find a boat at the right time and won’t let you much wiggle room.
  • Ogijima: while half a day is enough to see all of the art, it’d really be a shame to not enjoy all the other things the island has to offer, it really is one of the most beautiful small islands of the Seto Inland Sea.
  • Megijima: half a day is more than enough.
  • Oshima: a visit to Oshima is a bit special as it will be a guided visit and it lasts about two hours.
  • Shodoshima: if you don’t have a car, you may need more than three days to see all of the art and you will not have seen much more than the art. The island is large and art sites are quite spread out. With a car, visiting most of the art sites may take one full day, but you also want to be able to enjoy the island, so two days at least.
  • Shamijima: a few hours are enough.
  • Honjima: you’ll need about one day without rushing.
  • Takamijima: half a day is more than enough.
  • Awashima: half a day is feasible, but I’d advise one full day, it’s an island where you want to take your time.
  • Ibukijima: you may not need a full day to visit it, but it’s quite far from the other islands, there aren’t that many boats, so you may want to be able to take your time and see what the island has to offer and spend the whole day there.

So to visit the seven main islands you will need around six to nine days.

Shamijima’s art is open only in the Spring, and a few hours are enough to visit it.

The other islands, Honjima, Takamijima, Awashima, and Ibukijima are part of the festival only in the Fall and it will take between three and four days to visit them.


Naoshima Hall


Anything else I should be aware of?

Yes, many, but this page is getting a bit long already. However, one thing I want to emphasizes is that keep in mind the reason why this art festival exists. Sure your enjoyment is important, but the goal of the festival is first and foremost revitalizing the islands. Do not forget that these islands are not a giant amusement park, but places where people live. Most of them being old. The islands have their own specificities and ways of doing things, because of culture or because of the geography of what it is to be on a small island. Yes, some things will be inconvenient, that’s the way it is. Those islands were not created for the Triennale and for visitors. Once again, they’re not an amusement park.

When you’re on the islands respect the rules and the locals. That is among other things:

  • Be polite and considerate to the locals, don’t ignore them; a smile, a nod, or a Konnichiwa will be greatly appreciated.
  • Respect private properties, do not enter people’s houses or courtyards.
  • DO NOT LITTER! Keep your trash with you, this is the Japanese way of doing things (trash cans will be waiting for you when you’re back in Takamatsu Port). First, littering is wrong – anywhere you go – but more importantly, the islands cannot sustain the visitors’ trash. The quantity of trash that the islands can handle is the quantity generated by the locals and nothing more. This a very important point that many urban foreign visitors have had trouble understanding because it’s usually not something they need to think about in their everyday life. It is on the islands.
  • Public restrooms are rare. Keep that in mind when you’re on the islands, and use them when you see them, you don’t know where and when you’ll encounter the next one.
  • Some streets, some buildings, some areas, will be unpractical. The islands were not designed for visitors, and they’re not urban areas.
  • If you’re not used to Japan, remember that there are many places in the country where shoes need to be taken off indoors. This is also true for many art sites, cafés and such. Make sure to wear comfortable shoes that are easily taken off and on, it will make your visit much easier.
  • If you visit in Summer, don’t forget that summers can be brutally hot in Japan, and the islands are no different. Stay hydrated, wear hats and sunscreen. Heatstrokes among visitors happen too often as too many visitors underestimate the heat. You don’t want that to happen to you.


And that’s a wrap for my Setouchi Triennale advice and tips. The page will be updated regularly when more questions or more information arise, and/or if I forgot important points (because I overlooked them as obvious but maybe they’re not for someone who doesn’t know the area).


A few last words while you’re here.

If you have found this page useful to prepare your trip to the Setouchi Triennale

There are a few ways that you can thank me and support my work.



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