I have some good news and some bad news.
Let’s start with the good news.
The Setouchi Triennale 2016 Official Guidebook is finally available in English!
The bad news?
Well, it’s a bit disappointing.
Let’s start with the good things.
It covers all of the islands and all of the artworks. It includes a bunch of practical information that will turn out to be very useful for most visitors of the Setouchi Triennale, especially first timers: ferry and bus schedules, bus routes, artwork locations and so on.
The odd thing. The size of the book is a bit unusual. It’s much larger than its Japanese counterpart. So if it’s easier to hold in your hands and read at home, it’s much less convenient and practical when you need to take it in and out of a bag, flip through and its pages and more while you’re on site.
The thing that’s very annoying but unfortunately quite common in Japan, I’m afraid. It’s incomplete! The original version has much more content. We go from 300 pages in Japanese to 185 in English for an almost identical layout. Also, don’t forget that because of kanji, generally speaking, Japanese books are usually thinner than the same book in another language. Not this time.
A bunch of very interesting things have disappeared from the English version; artist interviews, a few pictures, various tidbits about various topics (some are still there, not all), and more important – as we’re talking about a guidebook here – most of the places to eat and drink all over the islands are gone.
It is pretty unnerving, and it’s consistent with the impression that many translated things give me in Japan. The impression that the translated product doesn’t really exist to help foreigners (and definitely not to give them the same information as what is given to Japanese speakers), but rather for Japanese people to show themselves and each other how international they are. We always hear about “Cool Japan” whatever that means, but there is also a “Cool English” in the country.
“Let’s put some English here, it’s going to show (who? other Japanese people) how open to the rest of the world we are!”
Something along those lines. The result and the usefulness of the translated product is secondary. What matters is that this product exists so that people can say it exists and feel good about themselves. What matters is that they can say “Look, we also have an English version!”
OK, maybe I’m being a bit harsh here, but I believe that there is some truth to that.
Now, don’t get me wrong, not everyone is like that, and some people really want to make things properly, and actually be useful to foreigners, but they’re usually the ones who seriously lack the (financial or administrative) means to do it.
The book is a strange result of both.
If I understood right, the publisher didn’t want to hire the local translators who usually translate things related to the Setouchi Triennale, and the translators they used were probably outsourced from who knows where, but fact is that had no clue about the Triennale, probably had never heard of it before and translated as they could with a lot of guess work (a few months ago, one of them contacted me asking me to explain Takeshi Kawashima and Dream Friends Gallery). On top of that, some texts were just very badly written. Fortunately, some local translators could to get a glimpse on the unfinished product and tried to fix as much as possible in the little amount of time they had.
So the texts are very uneven, some are fine, some not so much… I even spotted typos.
I understand that the publisher (who I assume usually only published books in Japanese) won’t make a fortune from this guidebook, but maybe, just maybe they should have tried a little harder.
Oh well, let’s not be picky. In the end, there is an official guidebook in English and it is pretty useful for visitors. And that in itself is quite an achievement (there were no such things in 2010 and 2013).
Sure it’s not perfect, but it can only be better in 2019, right? 🙂
I almost forgot. You can buy it on the Japanese amazon, as well as in the Setouchi Triennale shops around here. I don’t know if it’s going to be able in regular bookstores. If you see it, tell me.
Thanks David, I was wondering if there would be some sort of guide available. I am planning to visit during the Autumn session and was trying to work out how many days to allow. I’ve found your posts very helpful.
You’re very welcome. 🙂
Also make sure you check my page of advice, some can be useful if you’re not familiar with the area.
I’m visiting the exhibit and am coming from abroad. Do you know if it’s worth buying the JR Pass? I’ll be based in Osaka during my stay.
I’m afraid I’m very confused by your question. The JR Pass applies to trains only, not boats.
Or do you mean that you want to visit the Triennale being based in Osaka!?!?
In that case, that’s a terrible idea. Going from Osaka to an island, any island, would take you 3 hours at best!
One hour from Osaka to Okayama (providing you’re staying close to Shin-Osaka, if not you need to add the time to travel from the place you’re staying to Shin-Osaka too.
Then another hour from Okayama to Takamatsu or Uno (OK, Uno maybe a bit shorter), or the stations in Western Kagawa.
Then between 30 minutes to an hour to an island too…
And I’m being too optimistic, as of course there is connecting time in between trains, and trains and boats. It could easily be four hours or more.
And then you need to return to Osaka.
So each day, it’s at best 6 hours, but possibly 8 or 9 hours travelling.
How many hours that this leave you to actually visit the islands? I don’t know, but definitely not enough.
And then you’d do it the following day and the following one?
In any case, let’s say you do it, I still can’t answer your question as you’re not telling me how many days you expecting doing that.
Also, I’d have to research the prices of train tickets and of the JR Pass, and that, with all do respect, is not my job, but yours. I’m always willing to help people, but I won’t do your research for you?
You haven’t done much yet, have you?
I mean, you’re assuming that you can visit the Setouchi Triennale being based in Osaka in the first place.
So, if you have any other question, do not hesitate to ask; but please do your research first so that you have a realistic idea of what you’re gonna do first.
I hope you understand.
To give you a practical example of travelling to the islands for the Triennial. We are based in Tokyo and have come to stay in Takamatsu for 4 nights to visit the islands. The 7 day JR pass we bought was less than the cost of return tickets to Tokyo. But Tokyo is much further away from here than from Osaka.
Every day we leave Takamatsu at about 8.00 am and travel to one island and return to Takamatsu on the last boat at about 5.00 pm. There is so much to see on most islands that it is not possible to see everything in one day.
Please check hotel availability as well. We booked our hotel several months ago. But we couldn’t extend our booking because demand was so high.